Showing posts with label Agitprop Gallery. Show all posts
Showing posts with label Agitprop Gallery. Show all posts
Tuesday, March 03, 2009
Agitprop Reading Series: Amina Cain & Saehee Cho, Saturday 3/7, 7pm
We hope you can join us this Saturday, March 7 for the next reading in our regular space at Agitprop Gallery (2837 University Ave in North Park, entrance on Utah, a few blocks west of 30th Street), featuring Amina Cain and Saehee Cho. We often serve wine and snacks, and
donations to the gallery are always appreciated.
Amina Cain is the author of I Go To Some Hollow (Les Figues Press, 2009). Her work has appeared or is forthcoming in publications such as 3rd Bed, Action Yes, Denver Quarterly, Dewclaw, Emohippus Greeting Card #2, The Encyclopedia Poject,La Petite Zine, Sidebrow, and Wreckage of Reason, and has been translated into Polish on MINIMALBOOKS. Recordings of her stories exist as part of the exhibition "A Diamond in the Mud" at Literaturhaus Basel, and the Moles Not Molar "Transmissions: Signal to Noise Ratio" radio show. Recently she co-curated When Does It or You Begin? (Memory as Innovation), a month long festival of writing, performance, and video. She lives in Los Angeles.
Saehee Cho is an MFA candidate at Calarts whose fiction has been featured in Shrapnel and Ex Nihilo. She holds a BA in Literature/Creative Writing from UCSD and currently resides in Los Angeles.
We hope to see you there and for all festivities afterward!
AGITPROP POETRY SERIES
Saturday, March 7
7:00pm
AGITPROP Gallery
2837 University Ave in North Park. Entrance on Utah.
donations to the gallery are always appreciated.
Amina Cain is the author of I Go To Some Hollow (Les Figues Press, 2009). Her work has appeared or is forthcoming in publications such as 3rd Bed, Action Yes, Denver Quarterly, Dewclaw, Emohippus Greeting Card #2, The Encyclopedia Poject,La Petite Zine, Sidebrow, and Wreckage of Reason, and has been translated into Polish on MINIMALBOOKS. Recordings of her stories exist as part of the exhibition "A Diamond in the Mud" at Literaturhaus Basel, and the Moles Not Molar "Transmissions: Signal to Noise Ratio" radio show. Recently she co-curated When Does It or You Begin? (Memory as Innovation), a month long festival of writing, performance, and video. She lives in Los Angeles.
Saehee Cho is an MFA candidate at Calarts whose fiction has been featured in Shrapnel and Ex Nihilo. She holds a BA in Literature/Creative Writing from UCSD and currently resides in Los Angeles.
We hope to see you there and for all festivities afterward!
AGITPROP POETRY SERIES
Saturday, March 7
7:00pm
AGITPROP Gallery
2837 University Ave in North Park. Entrance on Utah.
Labels:
Agitprop Gallery,
Agitprop Reading Series,
San Diego
Friday, October 31, 2008
Stan Apps et Mathew Timmons at Agitprop in Northpartk, November 1
We hope you can join us this Saturday, November 1 at 7 pm for the next reading in the Agitprop reading series at Agitprop Gallery (2837 University Ave in North Park, entrance on Utah, a few blocks west of 30th Street), featuring STAN APPS and MATHEW TIMMONS. Wine and snacks will be served. Donations to the gallery are always appreciated.
Stan Apps is a poet and essayist living in Los Angeles. His books of poems include soft hands (Ugly Duckling Presse), Princess of the World in Love (Cy Press), Info Ration (Make Now Press) and God's Livestock Policy (Les Figues Press). A collection of essays is underway from Combo Books. Recent work has appeared in Joyland: a hub for short fiction (http://www.joyland.ca/home/los_angeles ), Try Magazine, Abraham Lincoln, Ecopoetics, and the Icelandic webzine Tregawott. Stan ekes out a living as an adjunct college instructor, teaching the poor to write short persuasive essays.
Mathew Timmons co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux) and Late Night Snack (w/ Harold Abramowitz). His collaboration with visual artist Marcus Civin, a particular vocabulary (P S Books), is forthcoming, and his work may be found in various journals, including: Sleepingfish, P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs and The Encyclopedia Project. He teaches interdisciplinary arts and writing workshops for CalArts School of Critical Studies.
We hope to see you there and for all festivities afterwards!
AGITPROP POETRY SERIES
Saturday, November 1
7:00pm
AGITPROP Gallery
2837 University Ave in North Park. Entrance on Utah.
Stan Apps is a poet and essayist living in Los Angeles. His books of poems include soft hands (Ugly Duckling Presse), Princess of the World in Love (Cy Press), Info Ration (Make Now Press) and God's Livestock Policy (Les Figues Press). A collection of essays is underway from Combo Books. Recent work has appeared in Joyland: a hub for short fiction (http://www.joyland.ca/home/
Mathew Timmons co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux) and Late Night Snack (w/ Harold Abramowitz). His collaboration with visual artist Marcus Civin, a particular vocabulary (P S Books), is forthcoming, and his work may be found in various journals, including: Sleepingfish, P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs and The Encyclopedia Project. He teaches interdisciplinary arts and writing workshops for CalArts School of Critical Studies.
We hope to see you there and for all festivities afterwards!
AGITPROP POETRY SERIES
Saturday, November 1
7:00pm
AGITPROP Gallery
2837 University Ave in North Park. Entrance on Utah.
Labels:
Agitprop Gallery,
poetry,
readings,
readings San Diego
Sunday, April 06, 2008
This CD is Dirty
I had a great time at the reading yesterday--the audience was larger than when I read at DCAC last October (ahem), and very low-key. I did not wear the fancy shoes I brought, but left them on stage as a kind of talismanic object (like the small, magnetic statue of Hotei Buddha that I used to take with me to exams as an undergrad). I also played a sound piece I made called "I still have a problem with agriculture," complete with two flute parts in D minor and vocals. It's meant to have something performed over it, but I just played it; I'd never done anything like that before. It was good, I think, and quite goofy. But now that I've done it once and didn't die of horror I can do it again. Maybe at the Evergreen conference in May.
After the reading, a guy complimented me on my performance and said, "So, are you a writer?" I wasn't sure what to make of this question, given the context, but I decided not to be a jerk. I just said, "yes." Then smiled and said, "thanks so much for coming" and left to go get some wine.
I also got up at 7 this morning for a workshop with Sienna Sherman. It was interesting to practice with a group of absurdly accomplished yogis (yeah, I know, it's yoga and some might say I shouldn't talk about accomplishment, but there's plenty of ways to value accomplishment and plenty of accomplishment in yoga). We did a lot of psoas and hip opening leading up to several back bends, including a few back bend inversions I'd never done before. Recently, I've been focused on opening up my hamstrings and external rotators, but I've been neglecting the front of my legs and hips. Thigh and psoas stretches are my new friend.
After the reading, a guy complimented me on my performance and said, "So, are you a writer?" I wasn't sure what to make of this question, given the context, but I decided not to be a jerk. I just said, "yes." Then smiled and said, "thanks so much for coming" and left to go get some wine.
I also got up at 7 this morning for a workshop with Sienna Sherman. It was interesting to practice with a group of absurdly accomplished yogis (yeah, I know, it's yoga and some might say I shouldn't talk about accomplishment, but there's plenty of ways to value accomplishment and plenty of accomplishment in yoga). We did a lot of psoas and hip opening leading up to several back bends, including a few back bend inversions I'd never done before. Recently, I've been focused on opening up my hamstrings and external rotators, but I've been neglecting the front of my legs and hips. Thigh and psoas stretches are my new friend.
Labels:
Agitprop Gallery,
readings,
San Diego
Saturday, April 05, 2008
Tonight at Agitprop!


Please join us for a literary reading in the company of "Colby Jackson's Alien People" (ceramic sculpture) at Agitprop in North Park, co-sponsored by the gallery and local poetry presses 1913, Kuhl House, and Tougher Disguises.
Susan Maxwell & K. Lorraine Graham
Saturday April 5th 7pm
2837 University Ave in North Park
(entrance to the gallery is actually on Utah)
Susan Maxwell's first book of poems, Passenger, was published by the University of Georgia Press in 2005 as winner of the Contemporary Poetry Series. Maxwell earned her BA in Peace and Conflict studies at the University of California, Berkeley, and her MFA in poetry from the Iowa Writers' Workshop. Her work has been nominated for a Pushcart Prize and featured in such publications as 1913 a journal of forms, American Letters & Commentary, New American Writing, Denver Quarterly, Bay Poetics Anthology, Verse, VOLT, as well as other journals and art installations. She's currently a doctoral student in Psychology at the Wright Institute in Berkeley.
K. Lorraine Graham is the author of several chapbooks, including "Diverse Speculations Descending Therefrom" (Dusie), "Terminal Humming" (Slack Buddha), "See it Everywhere" (Big Game Books), and "Large Waves to Large Obstacles" (forthcoming from Take Home Project), and the recently released chapdisk "Moving Walkways" (Narrowhouse Recordings). Graham has just completed the extended manuscript of "Terminal Humming" and writes the blog http://terminalhumming.blogspot.com/ from her home in Carlsbad, CA.
This event is free and open to the public. Donations to the gallery are greatly appreciated.
Labels:
Agitprop Gallery,
North Park,
readings,
San Diego
Subscribe to:
Posts (Atom)





